MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
The emancipatory eye
JOHN GREEN marvels at the rediscovery of a radical US photographer who took the black civil rights movement to her heart
Consuelo Kanaga. Young Girl in Profile, 1948.
[© Brooklyn Museum] 
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
RON JACOBS welcomes a timely homage to one of the IWW and CPUSA’s most effective orators
Consuelo Kanaga – Catch the Spirit
Drew Sawyer, Thames & Hudson, £50
Consuelo Kanaga. Fire, New York, 1922. Credit: © Brooklyn Museum
FEW will have come across the name Consuelo Kanaga (1894–1978), although she was one of the most influential US photographers during the first half of the 20th century. She suffered the same fate as so many women artists: consigned to the museum of amnesia. It is therefore cause for celebration that T&H, together with the Brooklyn Museum and Mapfre have collaborated on this volume dedicated to her work and helping rescue her from oblivion.
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JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
JOHN GREEN is stirred by an ambitious art project that explores solidarity and the shared memory of occupation
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JOHN GREEN isn’t helped by the utopian fantasy of a New York Times bestseller that ignores class struggle and blames the so-called ’progressives’
