Labour’s persistent failure to address its electorate’s salient concerns is behind the protest vote, asserts DIANE ABBOTT
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Ebullient songs of boppish swing
Chris Searle on Jazz: Eddie Jefferson
Washington’s lawless behaviour towards countries in the region it considers its ‘back yard’ should be condemned by all law-abiding people, says LUKE DANIELS
In part I of a serialisation of his new book, JOHN McINALLY takes a look at the early days of organising government workers
Colombia’s success in controlling the drug trade should be recognised and its sovereignty respected, argues Dr GLORY SAAVEDRA
The shadow lord chancellor has recently made a name for himself as an rabid hater of immigration – but there are exceptions to every rule, says SOLOMON HUGHES
Plaid Cymru’s front-bench spokesman on health and social services MABON AP GWYNFOR, in a two-part series, analyses the Caerphilly by-election and the wider political scene in Wales ahead of the 2026 Senedd election
Eddie Jefferson
The Jazz Singer (Inner City 1016)
The Main Man (Inner City 1033)
Eddie Jefferson, born in Pittsburgh in 1918, was a true jazz original. He began working as a tap dancer in the ’30s, but by the late ’40s he had developed a singing approach called “vocalese,” in which he took the recorded solos of jazz horn players, wrote lyrics to them and sang them as tributes to their creators.
One of the first of these was James Moody’s tenor saxophone solo in a recording of I’m in the Mood for Love. Jefferson recreated it as Moody’s Mood for Love, which became a big hit when recorded by the rhythm and blues man King Pleasure in 1952.
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