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Alvaro Uribe is found guilty of witness tampering and procedural fraud, reports NICK MACWILLIAM
Ebullient songs of boppish swing
Chris Searle on Jazz: Eddie Jefferson
On the anniversary of the implementation of the 1833 Slavery Abolition Act, ROGER McKENZIE warns that the legacy of black enslavement still looms in the Caribbean and beyond
Starmer’s decision to recognise Palestine only as long as Israel continues to massacre its inhabitants has been met with outrage, writes LINDA PENTZ GUNTER
The creative imagination is a weapon against barbarism, writes KENNY COYLE, who is a keynote speaker at the Manifesto Press conference, Art in the Age of Degenerative Capitalism, tomorrow at the Marx Memorial Library & Workers School in London
RAMZY BAROUD explains why the world can no longer ignore Palestine
Starmer’s decision to suspend Diane Abbott yet again demonstrates a determination to maintain and propagate a hierarchy of racism, writes CLAUDIA WEBBE
Eddie Jefferson
The Jazz Singer (Inner City 1016)
The Main Man (Inner City 1033)
Eddie Jefferson, born in Pittsburgh in 1918, was a true jazz original. He began working as a tap dancer in the ’30s, but by the late ’40s he had developed a singing approach called “vocalese,” in which he took the recorded solos of jazz horn players, wrote lyrics to them and sang them as tributes to their creators.
One of the first of these was James Moody’s tenor saxophone solo in a recording of I’m in the Mood for Love. Jefferson recreated it as Moody’s Mood for Love, which became a big hit when recorded by the rhythm and blues man King Pleasure in 1952.
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CHRIS SEARLE speaks to vocalist Jacqui Dankworth
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
CHRIS SEARLE speaks to Ethiopian vocalist SOFIA JERNBERG
