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Documentary dramas
JOHN GREEN recommends an exhibition of compelling photographic narratives on social and political injustice
Dorothea Lange, White Angel Breadline, San Francisco, 1933 and Drought Refugees, ca. 1935

Dorothea Lange/Vanessa Winship
Barbican Art Gallery, London

A DOUBLE BILL featuring pioneering documentary photographer Dorothea Lange and contemporary photographer Vanessa Winship makes for a magnificent feast of images.

Incredibly powerful as they are, they're almost too much to digest in one sitting.

Politics of Seeing is the first British retrospective devoted to US photographer Dorothea Lange (1895-1965), a powerful woman of unparalleled vigour and resilience, who used her camera as a political tool to shine a light on injustice — “the camera is an instrument that teaches people how to see without a camera,” she once said.

Dorothea Lange Family walking on highway - five children. Started from Idabel, Oklahoma, bound for Krebs, Oklahoma, June 1938 (left) and (right) Cars on the Road, August 1936
Vanessa Winship, Untitled from the series Black Sea Between Chronicle and Fiction, 2002-2006
Vanessa Winship, Untitled from the series she dances on Jackson, 2011-2012
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