Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Slice of life
MARY CONWAY recommends a play that has autism, race and dysfunctional public agencies at its centre
IMMACULATE: Lee Phillips as Dwight and Nadia Williams Shirley/Josephine
[Tristram Kenton]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
The Darkest Part of the Night
The Kiln
ANOTHER world premiere at the Kiln before a diverse and powerfully engaged audience confirms this theatre’s serious bid in the cultural leadership stakes. Storytelling is the name of their game, and though The Darkest Part of the Night feels less like a constructed narrative and more like a slice of life, its authenticity is its outstanding feature.
In fact, so convincing is the detail that you imagine the writer, Zodwa Nyoni, must be recalling her own personal past.
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MAYER WAKEFIELD relishes a witty and uplifting rallying cry for unity, which highlights the erasure of queer women
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