Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
Latest editorial
Bereft of insight into Chinese culture and politics
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
A JOY TO WATCH: (l-r) Gabby Wong (Lan Ping, Jiang Qing) and Millicent Wong (Li Lin, Sun Weishi
[Marc Brenner]
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Shanghai Dolls
Kiln, Kilburn
THERE should be so much to recommend in this new two-hander which premieres at the Kiln.
For a start the context is rarely explored in this country and introduces ideas that are both weighty and engrossing. Secondly, the production quality is both confident and slick. And lastly, the two female performers are a joy to watch.
Amy Ng’s play, however, is overloaded and often impenetrable for this audience.
Similar stories
![SISTERS IN HARMONY The Company of The ministry Of Lesbian Affairs [Pic Mark Senior]](https://dev.morningstaronline.co.uk/sites/default/files/styles/desktop/public/2025-07/The%20Company%20of%20The%20ministry%20Of%20Lesbian%20Affairs.jpg.webp?itok=47hfE2GG)
MAYER WAKEFIELD relishes a witty and uplifting rallying cry for unity, which highlights the erasure of queer women
MARY CONWAY applauds the revival of a tense, and extremely funny, study of men, money and playing cards
MARY CONWAY applauds a brilliant theatrical adaptation of Sam Selvon’s classic 1950s novel of oppression, betrayal and resilience
MARY CONWAY applauds a worthy revival of the US 1939 classic drama that studies the dehumanising consequences of affluence