Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Principled philanthropists
TIM SAYER and ANNEMARIE NORTON tell Christine Lindey why they're donating their unique collection of art works to a Wakefield art gallery
Willard Boepple, Douglas, 1992, painted steel and Kenneth Martin Chance, Chance, order, Change
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
RETIRED BBC journalist Tim Sayer and his wife Annemarie Norton, theatrical costume maker and former ballet dancer, live in a modest north London terrace.
Its exterior looks much like neighbouring houses but stepping inside is to be transported into a wondrous domain whose every surface is crammed with art.
Paintings, drawings, photographs, prints, sculptures, antiquities and tribal art by predominantly living British artists greet you from all walls, ceilings, both sides of doors, floors and the staircase. They’re even in the bathroom and toilet.
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NICK MATTHEWS previews a landmark book launch taking place in Leicester next weekend
From van Gogh to Sonia Boyce, from Hew Locke to Patrick Carpenter and... Pablo Picasso
PAUL MACGEE highlights a new series of books that brings together a treasure trove of writings by a Jewish Marxist art historian who offers readers a refreshingly grounded theory of art
CHRISTINE LINDEY welcomes a fascinating survey of the work of the communist and socialist artists who founded the AIA in the 1930s