MAYER WAKEFIELD applauds Rosamund Pike’s punchy and tragic portrayal of a multi-tasking mother and high court judge
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Malian masters in exhilarating form
Captivating: Bassekou Kouyate
FIONA O CONNOR recommends an unflinching depiction of child sexual abuse and its aftershocks, set in a working-class Liverpool family
New releases from Paul Weller, Wet Leg, and Dino Saluzzi
PAUL DONOVAN relishes the spectacle of a 1950s detective in pursuit of a 500-year-old murder mystery
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
Bassekou Kouyate and Ngoni ba
Subterranea, London
WITH THE demeanour of complete paternal authority over proceedings, Bassekou Kouyate cuts the figure of a tribal elder centre stage — until his wife Amy Sacko sings. The audience gasps at her vocal range and crystalline delivery across ascending scales.
She's very much a focus of this family line-up, with Kouyate's son Madou on bass, Abou Sissoko on medium ngoni, Moctar Kouyate on calabash and Mahamadou Tounkara — the clown in the outfit — on doundoun, yabara and tama.
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