STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
Latest editorial
Jazz Album Review: Lowell Davidson Trio
Pianist Lowell Davidson's only recording reveals all the brilliance of his innovatory talent
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
Lowell Davidson Trio
Lowell Davidson Trio
(ESP)
LOWELL DAVIDSON’S one and only album, released by pioneering avant-garde label ESP in 1965, has the face of a young black man resolutely looking outwards, his steel-rimmed glasses reflecting the keys of his piano.
It is a haunting image of a musician who played the organ and led the choir in his local episcopal church as well as blowing tuba in his school band before leaving home to study biochemistry at Harvard.
Similar stories
Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
The Morning Star sorts the good eggs from the rotten scoundrels of the year
Two new releases from Burkina Faso and Niger, one from French-based Afro Latin The Bongo Hop, and rare Mexican bootlegs