STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Imaginary Cities, British Library, London
A groundbreaking exhibition shows how perceptions of futuristic urban environments are being transformed in the digital age
Imaginary Cities, British Library, London
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
ALGORITHMS have existed since the ancient Greeks and they are increasingly becoming a part of everyday life in the digital age.
We’re not just seeing their practical use in the realm of science, computing and mathematics but also in the arts – particularly in electronic music – and now, as the British Library’s resident artist Michael Takeo Magruder skilfully demonstrates, even in art installations.
Images and metadata from 18th and 19th-century maps of London, Paris, New York and Chicago have been used for the four works on display and, as Magruder explains to me on a guided tour of the free exhibition, the painstaking operation originally involved a bank of one million images of historic urban maps in the British Library’s online digital archive.
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