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WILL STONE fact-checks the colourful life of Ozzy Osbourne
George Fullard: Human Tender, Pangolin Gallery London
JAMES CROSSLEY applauds a lucid biography of the German radical preacher who reemerged as a hero in the GDR
Prizes all round: the Bard hands plaudits to the Miners Gala, OT&JC, Joe Solo, Black Sabbath’s frontman and the Lionesses
Star cartoonist JAMIE BRITTON is in awe of a graphic novel of epic proportions that explores class, religion and globalisation via the strange cultivation of Ginseng in the US Midwest
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
PANGOLIN’S intimate space is the ideal setting for this retrospective of work by one of Britain’s most important, if sadly neglected, British sculptors.
Sheffieldian George Fullard’s work has both a succinct realism, with its stunning fluidity and clarity of form, as in Three Women, and an equally assured grasp of assemblage, epitomised by Pregnant Women.
Fullard had an optimistic disposition to fellow humans and, a rarity among sculptors, a sense of humour — best exemplified by the comically ponderous and visibly inept Phoenix with wrenches for legs and forks for wings.
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Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
New releases from Hannah Rose Platt, Kemp Harris, and Spear Of Destiny
MICHAL BONCZA recommends a compact volume that charts the art of propagating ideas across the 20th century
