GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy

GEORGE FOGARTY is dazzled by a breathtakingly skillful puppet version of Shakespeare’s greatest love poem

PAUL DONOVAN recommends an energetic adaptation of Ken Kesey’s novel, that emphasises how psychiatry is a tool in the hands of a racist agenda

MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival

PAUL DONOVAN applauds an entertaining dramatisation of the famous dispute that gives insight into the struggle, and Murdoch’s unscrupulous mendacity

GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield

PAUL FOLEY speaks to Mark Calvert, director of I, Daniel Blake before a new tour

PETER MASON relishes a quirky and highly entertaining take on Shakespeare’s tragicomedy

SUSAN DARLINGTON applauds bold choices that force the audience to re-examine a familiar comedy

SUSAN DARLINGTON is moved by fleeting glimpses into the lives of people living on a single road in a nameless Lancashire town

SUSAN DARLINGTON laments a version of the adventures of Sherlock Holmes that is unable to solve its own problems

MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class