Alvaro Uribe is found guilty of witness tampering and procedural fraud, reports NICK MACWILLIAM
An exceptionally brilliant eclecticism
Chris Searle on Jazz
On the anniversary of the implementation of the 1833 Slavery Abolition Act, ROGER McKENZIE warns that the legacy of black enslavement still looms in the Caribbean and beyond
Starmer’s decision to recognise Palestine only as long as Israel continues to massacre its inhabitants has been met with outrage, writes LINDA PENTZ GUNTER
The creative imagination is a weapon against barbarism, writes KENNY COYLE, who is a keynote speaker at the Manifesto Press conference, Art in the Age of Degenerative Capitalism, tomorrow at the Marx Memorial Library & Workers School in London
RAMZY BAROUD explains why the world can no longer ignore Palestine
Starmer’s decision to suspend Diane Abbott yet again demonstrates a determination to maintain and propagate a hierarchy of racism, writes CLAUDIA WEBBE
Jaki Byard
Sunshine of My Soul (High Note)
A Matter of Black and White (High Note)
The Late Show (High Note)
THE most eclectically brilliant and versatile pianist of a century of jazz, Jaki Byard — born in Worcester, Massachusetts, in 1922 — could play everything, in every piano style or genre, from blues, gospel and stride to post-bop and the avant garde.
As a young man, and later in the US army, he played a host of instruments — piano, trumpet, guitar, drums, trombone, as well as tenor saxophone on which he was excellent.
More from this author
CHRIS SEARLE speaks to vocalist Jacqui Dankworth
CHRIS SEARLE pays tribute to the late South African percussionist, Louis Moholo-Moholo
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
CHRIS SEARLE speaks to Ethiopian vocalist SOFIA JERNBERG
