MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
Weird but wonderful Cults offering
Madeline Rollin
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
Cults
Garage, London
NEW YORK’S Cults, in Europe touring on the back of the release of third album Offering, are the dream-pop duo.
Expanded to a five-piece when playing live, they turned up at the Garage somewhat lighter after getting robbed earlier in the day. But that doesn’t stop a striking 14-song set taking punters on whirlwind ride into their weird indie-pop world.
Centre of attention throughout is lead singer and lyricist Madeline Rollin, whose distinctive dancing — or rather, rocking — complements her breathless, beautiful and childlike delivery.
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