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Britain World Editorial Features Culture Sport
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Gaza Climate Crisis Workers' rights Austerity Far right Labour
Mik Sabiers
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Music review / 5 May 2025
Twin Peaks-lite and a tad countrified
5 May 2025

MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes

The Itch at The Grace
Music Review / 29 January 2024
Destined to either soar or implode
29 January 2024
MIK SABIERS leaves The Itch gig rejuvenated and energised
GREBO CLASSICS: Pop Will Eat Itself at the 100 club
Concert review / 23 October 2023
Top of the Poppies
23 October 2023
MIK SABIERS detects a serious message beneath the fun and frenzy of a classic 1980s Grebo scene band
Bob Vylan at the Electric Ballroom
Music Review / 5 December 2022
Preaching revolution, solidarity, change and equality
5 December 2022
Into A Circle on stage in Oslo
Live Music Review / 6 November 2022
Lost in time?
6 November 2022
Punk rock attitude
Music Review / 13 October 2022
Ribald rock ‘n’ roll
13 October 2022
Music Reviews / 4 September 2022
Album reviews with Mik Sabiers
4 September 2022
New releases from Hot Milk, Prince and the Revolution and Pales Waves
black midi in action at Somerset House’s Summer Series 202
Music Review / 15 July 2022
The night that kind of fizzled out
15 July 2022
A round of applause for Lydon at the end of the night
Live Music Review / 20 June 2022
No blanks in Lydon’s reloaded pistols
20 June 2022
Political, personal, punchy and right in your face
Live Music Review / 3 June 2022
Aussie brand of punk rock not to be sniffed at
3 June 2022
Culture / 18 April 2022
Album reviews with Mik Sabiers: April 19, 2022
18 April 2022
New releases from Tears For Fears, Blood Red Shoes, and The Mysterines
GOOD POTENTIAL:The Mysterines
Live Music Review / 3 April 2022
Risk-taking urgently required
3 April 2022