Skip to main content
The Morning Star 2026 Conference
Laughing at, not with, the working class
LYNNE WALSH is left uneasy at the audience response to Rita, Sue and Bob Too
Assured performers: (From left) Gemma Dobson (Sue), Taj Atwal (Rita) and James Atherton (Rob) [The Other Richard]

Rita, Sue and Bob Too
Royal Court, London/Touring

CO-PRODUCED by Out of Joint, Bolton Octagon and the Royal Court, this production, controversially cancelled and then reinstated by the London theatre, is an insubstantial version of  Rita, Sue and Bob Too.

It’s tough to say that, especially given the acclaim which greeted the teenage Andrea Dunbar’s work. First performed in 1982 and made into a successful film soon afterwards, the play is semi-autobiographical. Dunbar’s life was bleak and she was dead at 29 after time in a women’s refuge and escalating problems with alcohol.

Her depiction of 15-year-old friends and their fling with a morosely married man won plaudits and the media loved Dunbar for a while.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
Similar stories
stars
Theatre review / 14 July 2025
14 July 2025

MARY CONWAY applauds the success of Beth Steel’s bitter-sweet state-of-the-nation play

moon
Theatre review / 27 June 2025
27 June 2025

MARY CONWAY revels in the Irish American language and dense melancholy of O’Neill’s last and little-known play

THE HOSTESS FROM HELL: Kym Marsh as Beverly with Graeme Hawl
Culture / 11 April 2025
11 April 2025
PAUL FOLEY is disappointed by a production that encourages the audience to laugh at rather than with the characters
CO-DEPENDENCY: Rex Ryan and Lauren Farrell in Men's Business
Theatre Review / 27 March 2025
27 March 2025
MAYER WAKEFIELD is chilled by the co-dependency of two lost souls as portrayed by German communist playwright Franz Xaver Kroetz