TOM PIERSCIONEK recommends a remarkable series of interviews with those few and brave Israeli citizens who refuse to do military service
Lowry of the lens
Peter Mitchell's photography reveals a poetic relationship with Leeds
(L to R) How many Aunties?, Back Hares Mount, Leeds, 1978; Max Babbin, Vulcan Street, Leeds, 1979
[Peter Mitchell] 
The bard rests on his laurels, and swipes left and right
MARIA DUARTE cherishes the flashes of absurd humour and theme of community healing in a documentary set in a Soviet-era Black Sea sanatorium
ANGUS REID and MARIA DUARTE review The Courageous, The Cut, Christy, and On Swift Horses
TOM STONE sings the praises of one of the oldest open-air festivals in Britain
Chris Searle speaks to accordionist KAREN STREET
Peter Mitchell: Nothing Lasts Forever
The Photographers’ Gallery, London
PETER MITCHELL (born 1943) is widely regarded as one of the most important early colour photographers of the 1970s and ’80s. This important exhibition is dedicated to his work.
He is a self-effacing artist, coming across in interviews as rather Lowry-like: naive, unideological and uncomplicated. Taking photos, or as he says “taking pictures” is simply a necessity for him.
More from this author
Despite the primitive means the director was forced to use, this is an incredibly moving film from Gaza and you should see it, urges JOHN GREEN
JOHN GREEN recommends an Argentinian film classic on re-release - a deliciously cynical tale of swindling and double-cross
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
JOHN GREEN is stirred by an ambitious art project that explores solidarity and the shared memory of occupation
