STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
THREE Traverse productions stood out for their acute dialogue and superb performances. Mouthpiece, Kieran Hurley’s two-hander has Libby (Neve McIntosh), a fortyish word-blocked writer, saved from suicide by Declan (Lorn Macdonald), a young down-and-out with an unrecognised artistic talent.
As Libby becomes increasingly interested in his life, she begins to see a play emerging. Throughout Libby informs the audience of how drama works. Declan, at first flattered and warming to her attention, realises that he is being used – a subject rather than a person.
A stunning dramatic climax is set in The Traverse itself — a play within a play — where Libby, at the question and answer session after the premiere of her successful production, faces a semi-hysterical but cruelly articulate Declan whose life she realises she has stolen.
SIMON PARSONS is beguiled by a dream-like exploration of the memories of a childhood in Hong Kong



