Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
Latest editorial
Collateral damage in the home front of the 'war on terror'
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
MARJORIE MAYO recommends an accessible and unsettling novel that uses a true incident of death in the Channel to raise questions of wider moral responsibility
MIK SABIERS wallows in a night of political punk and funk that fires both barrels at Trump
Reasonable radicalism, death in Abu Dhabi, locked-room romance, and sleuthing in the Blitz
SIMON DUFF recommends a new album from renowned composer and oud player Anour Brahem.
JAMES WALSH has a great night in the company of basketball players, quantum physicists and the exquisite timing of Rosie Jones
IED
Theatre N16, London
IN RECOGNITION of the Armistice and all that it means, Theatre N16 are devoting the whole of November to Aftershock, a “military season” of three new plays that explore the meaning and nature of war.
The first, Martin McNamara’s powerfully realistic drama IED, is set in 2008 at the height of the Afghanistan conflict, where Captain Agnes Bennett, an army notification officer, has the routine administrative job of reporting deaths in the field to the nearest and dearest of the fallen.
It’s a formidable task.
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