STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
Latest editorial
Arts ahead: May 9
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
COVENTRY EXHIBITION
What's the Meaning of This?
John Yeadon at 70
Newsroom Gallery, CET Building
Corporation St
May 18-June 15
IN THIS exhibition, John Yeadon looks back to his 1984 Dirty Tricks exhibition at the Herbert Art Gallery and Museum in Coventry and compares this work with his recent paintings. Dirty Tricks was a controversial exhibition of his grotesque realist, large allegorical “history paintings” which provoked both Tory outrage and acclaim from everyone else.
At the high point of Aids paranoia and gay “blame,” Yeadon's “in-yer-face” paintings challenged preconceptions of sexuality and society. This exhibition compares those paintings with his recent work and asks whether things changed. Is society more tolerant, open-minded and liberal at a time when Coventry approaches the year of City of Culture? Is it more enlightened and less provincial?
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