STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Places to lie, die and disappear
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
RECOVERING from their mother’s attempted suicide, young sisters Caroline and Joanna spend the summer of 1990 at their great-aunt’s quiet Cotswold cottage in A Place to Lie by Rebecca Griffiths (Sphere, £19.99).
But what might have been an idyllic break from their harsh reality ends in horror, in a village tainted by sad secrets and terrible passions. Nearly 30 years later, a tragic accident takes Joanna back to Witchwood, where she finds answers to questions she might have been better off not asking.
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