MARJORIE MAYO recommends an accessible and unsettling novel that uses a true incident of death in the Channel to raise questions of wider moral responsibility

SOUTH Africa, 1961. Morrie Pietersen (Nathan McMullen) and his half-brother Zach (Kalungi Ssebandeke) live together in the putrid shanty town of Korsten, Port Elizabeth.
Morrie, light-skinned and bookish, dreams of a two-man farm in one of the “blank spaces” on the map while Zach, illiterate and weathered from working long hours in menial jobs, seeks only the company of women and old memories of nights on the town.
It’s a story that in Athol Fugard’s play pits the “blood knot” against the politics of colourism — prejudice or discrimination against individuals with a dark skin tone among people of the same ethnic or racial group — as this complex family drama unfolds.



