ANDY HEDGECOCK is entertained by a playful novel that embeds a fictional game at its heart
What prompted you to draw cartoons?
To try and pacify the bullies at school, plus a steady diet of British and American comics as a child.
Have you any formal artistic training?
Only up to O-level Art.
What's the most difficult thing about producing a cartoon?
The hardest part is often getting the spatial balance right on paper and the precise wording. Japanese artists say it’s what you leave out that is most important and they are right.
SCOTT ALSWORTH searches for something – anything – worth recommending from the year’s releases
Star cartoonist MALC MCGOOKIN finds lessons for today in the punch, and the economy of line, of an extraordinary generation of illustrators
A chance find when clearing out our old office led us to renew a friendship across 5,000 miles and almost nine decades of history, explains ROGER McKENZIE
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet



