GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Letters from Latin America: September 23, 2019
Fiction and poetry from Giusseppe Caputo, Juan Villoro, Carlos Andres Gomez and Mario Montalbetti
Exceptional debut: Giuseppe Caputo
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
THERE are books that stay with you long after you put them down and one of them is An Orphan World (Charco Press, £9.99), the debut novel from Colombian writer Giuseppe Caputo. Rich in images, registers and nuances, it's a book you can almost read as a long, lyrical poem.
In it, a father and his son attempt to survive poverty by moving into a poorer neighbourhood near the sea, possibly somewhere in Latin America.
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