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Brilliance on borrowed time
RUBY FISCHER sees a potent exhibition of the enigmatic and troubling paintings produced by Charlotte Salomon before she was consigned to a nazi death camp
Left to right- The empty window+Franziska Goes to Heaven+Amadeus Daberlohn makes love to Charlotte on the beach

Charlotte Salomon: Life? or Theatre?
Jewish Museum London

 

AMID a blaze of red and orange brushstrokes, a lone, bare-footed figure sits before an open window, clutching her head in her hands.

One foot is stuck out against the gaping emptiness beyond the windowsill and a large paint board balances in her lap, its heft weighing her down, preventing her from flying through the window into the red wash.

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