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Shoes on the Danube
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KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ON THE eastern bank of the Danube promenade, some 300 metres south of the parliament building in Budapest, there’s a 40-metre-long stretch at the very edge of the river occupied by 60 pairs of shoes.
Cast in iron and covered with a rust patina, some have flowers left in them.
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