MARK TURNER wallows in the virtuosity of Swansea Jazz Festival openers, Simon Spillett and Pete Long

WHEN the wife of 15th-century Fiorentine painter Paolo Uccello would implore him to come to bed at night, he would exclaim: “Oh what a lovely thing this perspective is!” and carry on working until the crack of dawn.
He was trying to discover the Holy Grail of the “vanishing point,” which in perspective drawing represents the mutually parallel lines in three-dimensional space which appear to converge.
The Uccello story, probably apocryphal, was told a century later by Giorgio Vasari in his remarkable Lives of the Most Excellent Painters, Sculptors and Architects. It is, to this day, considered the methodological foundation of writing on art history.

MICHAL BONCZA highly recommends a revelatory exhibition of work by the doyen of indigenous Australians’ art, Emily Kam Kngwarray

Despite an over-sentimental narrative, MICHAL BONCZA applauds an ambitious drama about the Chinese rescue of British POWs in WWII

Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet

New releases from Hannah Rose Platt, Kemp Harris, and Spear Of Destiny