To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Letters From Latin America
Reviews of fiction by Salvadorian writer Claudia Hernandez and poetry by Cuban Reina Maria Rodriguez and Uruguayan Amanda Berenguer
IMPORTANT VOICE: Cuban poet Reina Maria Rodriguez
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
THE civil war in El Salvador, which ended nearly 30 years ago, was one of the most devastating and bloody conflicts in modern Latin American history.
It claimed the lives of at least 75,000 civilians and thousands of soldiers and insurgents during the 1980s and early 1990s in a country with a total population of five million.
Nearly a million people were forcefully displaced within the country or became refugees in Central America, Mexico, the United States and elsewhere as a result of the conflict.
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ALAN McGUIRE welcomes a biography of the French semiologist and philosopher
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America