GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Letters from Latin America with Leo Boix: April 7, 2025
Travelogue/reportage by Argentinean Maria Sonia Cristoff, and poetry by Peruvian Gaston Fernandez and Puerto Rican Cristina Perez Diaz
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
PATAGONIA, a vast region located at the southern extremity of South America, presents an array of otherworldly landscapes, encompassing the Andes mountain range, crystalline lakes and fjords, temperate forests, glaciers, and boundless deserts and steppes.
Maria Sonia Cristoff’s work, False Calm (Daunt Books, £10.99), seeks to challenge the idyllic perception of Patagonia by recounting the stories of several ghost towns that were negatively affected by the decline of the oil boom.
This non-fiction book serves as both a travelogue and a personal essay, guiding the author to the peripheries of Patagonia. It may resonate with admirers of Bruce Chatwin, Susan Sontag, or WG Sebald, as each of the 10 essays intricately intertwines the stories of individuals and communities abandoned by the hydrocarbon industry, enriched with anecdotes, vignettes, and ethereal descriptions expertly translated by Katherine Silver.
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