Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
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Bordering Britain: Law, Race and Empire by Nadine El-Enany
Questions posed but few answers given to the injustices of immigration controls in Britain
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
MARJORIE MAYO recommends an accessible and unsettling novel that uses a true incident of death in the Channel to raise questions of wider moral responsibility
MIK SABIERS wallows in a night of political punk and funk that fires both barrels at Trump
Reasonable radicalism, death in Abu Dhabi, locked-room romance, and sleuthing in the Blitz
SIMON DUFF recommends a new album from renowned composer and oud player Anour Brahem.
JAMES WALSH has a great night in the company of basketball players, quantum physicists and the exquisite timing of Rosie Jones
EXAMINING the history of immigration legislation from 1905 onwards, law lecturer Nadine El-Enany argues in this book that immigration controls are primarily designed to “maintain Britain as a racially and colonially configured space,” where non-white people are subjected to unspecified “state racial terror.”
Extending the argument, El-Enany maintains that non-white former subjects of the empire and their descendants have had the door shut on them by immigration controls in a way that prevents them from sharing in the wealth that colonialism helped to bring to Britain.
As a result, British immigration law serves primarily to legitimise ongoing theft of colonial wealth and, says the author, must therefore be understood as “being on a continuum of colonialism.”
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