GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Holocaust Memorial, Judenplatz, Vienna
Concrete reminder of nazi atrocities against Jews during WWII
[Thomas Ledl/Creative Commons]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
RIGHT in the heart of Vienna sits Judenplatz (Jewish Square), an area where Jews began to settle in about 1150.
Eight hundred lived there by 1400, including merchants, bankers and scholars. But the pogroms instigated by Duke Albrecht V in 1421, culminating in the last 200 being burned alive on a pyre, obliterated the Jewish presence for the next two centuries.
That obliteration resumed just over 500 years after Judenplatz got its name and eight months after Austria’s Anschluss (“reunification”) with Nazi Germany.
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The decision highlights the tension between freedom of expression and the state’s role in shaping historical memory at former concentration camps, reports LEON WYSTRYCHOWSKI
LYNNE WALSH tells the story of the extraordinary race against time to ensure London’s memorial to the International Brigades got built – as activists gather next week to celebrate the monument’s 40th anniversary
