MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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Walter Price: Pearl Lines
Accomplished exploration of the figurative and the abstract
HIGHLY ACCOMPLISHED: It has to rain before you can see where all the leaks are at, 2019
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ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
WALTER PRICE’S first major institutional exhibition in Britain includes an intriguing group of new paintings and drawings made during lockdown in New York, where he is based.
During that period Price, who is in his thirties and has been exhibiting since 2013, used up whatever materials were on hand in the studio, without ordering in anything new.
That meant he sometimes had to work with the last knockings of his acrylic paints, mixing them with white and producing works dominated by pastel colours.
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