MARIA DUARTE is swept along by the cocky self-belief of a ping-pong hustler in a surprisingly violent drama
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A panto let down by inconsistent writing and direction
[Tristram Kenton]
STEVE ANDREW recommends a lively and often moving guide to once vibrant spaces that have been abandoned or swept away
GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
MARY CONWAY is disappointed by a production whose design and cartoonish acting overwhelms the close scrutiny of characters
SUSAN DARLINGTON enjoys the raucous familiarity of a traditional topsy-turvy pantomime
RON JACOBS introduces the latest novel by the best writer of US working-class fiction writing today
Aladdin
Lyric Hammersmith, London
LIKE the proverbial football match of two halves, this patchy panto takes on highly different aspects before and after the interval.
In the section up to the break there’s barely a memorable moment. The custard pie slapstick is limp, the music is uninspiring and the jokes are weak, with some strangely out of date “current affairs” cracks for the adults.
In general there’s little for young or old to get stuck into, especially as it takes far too long to reach the animating point where Aladdin finally goes into the cave to search for his magic lamp. Mulled wine at half-time was a blessed relief.
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