GEOFF BOTTOMS appreciates the local touch brought to a production of Dickens’s perennial classic
Latest editorial
A festival of consequence
Ezra Collective
[Charlotte Ballon/Love Supreme]
MARY CONWAY is disappointed by a production whose design and cartoonish acting overwhelms the close scrutiny of characters
SUSAN DARLINGTON enjoys the raucous familiarity of a traditional topsy-turvy pantomime
RON JACOBS introduces the latest novel by the best writer of US working-class fiction writing today
HENRY BELL is fascinated by the underlying curiosities and contradictions of one of the great poets of the Mediterranean
DAVID RENTON recommends a books that explores the ways in which disabled people are made to feel both of and not part of this world
Love Supreme Jazz Festival
Glynde Place, Sussex
ESTABLISHED in 2013, Love Supreme was Britain’s first outdoor jazz and soul festival, and is now one of the largest in Europe.
One highlight was Indo-jazz clarinettist Arun Ghosh. The rhythm section, combining pounding breakbeats with gutsy, visceral basslines, produce a gorgeously relentless lo-fi funk that feels at times like the missing bridge between the Velvet Underground and De La Soul.
Guitarist Freddie Moon’s guitar is in the same spirit, his licks reminiscent of both Lou Reed and Gabor Szabo, while Rosie’s one-note bass solo is pure grunge-jazz perfection.
Similar stories
Re-releases from Bobby Wellins/Kenny Wheeler Quintet, Larry Stabbins/Keith Tippet/Louis Moholo-Moholo, and Charles Mingus Quintet
STEVE JOHNSON, CHRIS SEARLE and TONY BURKE review new releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
GEORGE FOGARTY is mesmerised by the messages made when jazz is played by people who grew up steeped in jungle and hip-hop
New releases from Bridget Hayden and The Apparitions, Michael Kiwanuka, Arild Andersen