Reviews of Habibi Funk 031, Kayatibu, and The Good Ones
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Hot mess
MARIA DUARTE endures three hours of overblown Hollywood narcissism and, strangely, recommends it
SIMON DUFF relishes the cross contamination of Damien Hirst’s greatest hits by street artists from France and the US
In view of the grooming gangs inquiry, SIMON PARSONS feels the relevance of this powerful examination of trauma suffered at Medomsley Youth Detention Centre
JOHN GREEN doubts the motivations of a US war photographer who never questions why, or for whom, she is producing images of imperialist conflict
MARIA DUARTE reviews Springsteen: Deliver Me From Nowhere, Hedda, The Mastermind, and Regretting You
TONY CONWAY welcomes a thrilling and concise history of Hope not Hate, that is also a manual full of tactical advice
PAUL DONOVAN welcomes an inspiring account of living with deafness that has important lessons for the treatment of deaf people in today’s UK
Babylon (18)
Directed by Damien Chazelle
LIVING UP to its name, Academy Award winning director Damien Chazelle’s Babylon is an epic depiction of the debauchery, greed and narcissism of Hollywood in the 1920s.
Chazelle explores the dark underbelly of Tinseltown in an ambitious extravaganza that, with a running time of more than three hours, is an assault on the senses, bursting onto the big screen like an unstoppable juggernaut. You can neither catch your breath nor take everything in as Chazelle throws everything into the mix including an elephant, a chicken and a snake.
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