To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
MILLIONS of migrants from Guatemala, Honduras, El Salvador and Nicaragua have been displaced for decades due to violence, poverty, lack of employment or other threats such as disasters, many of them making the perilous journey to cross into the US.
In desperation, thousands of vulnerable people moved and are still moving north through irregular channels, facing along the way bureaucratic barriers, and suffering accidents and injuries, extortion and sexual violence, many disappearing and being separated from their families. Others are tortured, killed or die from diseases or the harsh conditions they face during their journeys.
Solito (Oneworld, £18.99) by Salvadorian American poet and activist Javier Zamora vividly recounts the author’s memories as a nine-year-old boy nicknamed Chepito, in his treacherous journey to reach the US to rejoin his parents, who had left El Salvador separately a few years earlier due to the civil war and lack of jobs in their home country.
From post-human revolution in Puerto Rico to trans poetics and queer mythmaking, these three books that imagine new ways of being together
MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
FRANCISCO DOMINGUEZ says the US’s bullying conduct in what it considers its backyard is a bid to reassert imperial primacy over a rising China — but it faces huge resistance


