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Moving pictures
ROX MIDDLETON and LIAM SHAW examine the early scientific investigations that enabled film to become an artistic medium
PRELUDE TO INDIANA JONES: (Above) Eadweard Muybridge: Arab Horse Gallup, 1887 [Public Domain]

THIS week is the second week of the BFI London Film Festival, a chance for those in London to see films that they might not otherwise get to see in a cinema in Britain. 

Unlike other film festivals, London Film Festival is a public festival, being largely aimed at bringing the public into the films, rather than (like for example in Cannes) being for largely aimed at professionals in the film industry, such as Cannes. At its best, film offers a chance for people to see and think about cultures and perspectives outside of their own. 

The science of movies, it might be assumed, lies mostly in the inventions of cinematography: the cameras, films, microphones, projectors that make the recording of movies possible. Certainly, advances in camera and projector technology have made a difference to what is possible. 

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