To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Letters from Latin America with Leo Boix: February 21, 2024
The human cost of Brazilian racism, the massacre of peasants in Columbia, and transgender transformations of language: reviews of a novel by Brazilian author Jeferson Tenorio and poetry by Brazilian Eliana Hernandez-Pachon and Venezuelan Isadoro Saturno
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
ALTHOUGH over half of Brazil's population (approximately 56 per cent) identifies as black, which is the largest population of African descent outside of Africa, less than 20 per cent of all members of Congress in Brazil are black.
Shockingly, black Brazilians make up 75 per cent of murder victims and those killed by police.
Unfortunately, under the leadership of right-wing president Jair Bolsonaro from 2019-2022, the situation worsened. Police killings of black Brazilians rose to 5,804 in 2019, which is almost six times more than the number of police killings in the United States.
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MARJORIE MAYO welcomes an account of family life after Oscar Wilde, a cathartic exercise, written by his grandson
HENRY BELL welcomes a fine demonstration of the need to love the words themselves in the communication of political messages
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin