MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
KATHE KOLLWITZ’S work reflects the events of the first half of the 20th century yet she continues to stand tall among anti-war artists and champions of the dispossessed of the present time.
Kollwitz broke completely with bourgeois aesthetics and made the subjugated and humiliated working class her sole artistic subject. Her work eloquently expresses the force, resistance and humanity of this class. Very often, she focuses on individuals or small groups who exemplify the fate of thousands, balancing their misery with dignity and human kindness.
This year marks the 150th year since her birth in Kaliningrad. The daughter of a bricklayer who recognised his daughter’s artistic talent early on, she was barred from studying art as a woman in her hometown and moved to Berlin and Munich to pursue her education.

On the centenary of the birth of the anti-colonial thinker and activist Frantz Fanon, JENNY FARRELL assesses his enduring influence

JENNY FARRELL relishes a modern parable that challenges readers to confront the legacies of empire, and the possibilities of resistance

