MIK SABIERS savours the first headline solo show of the stalwart of Brighton’s indie-punk outfit Blood Red Shoes
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Utoya: surviving hell
MARIA DUARTE believes the singular focus on the resilience of the victims is both edifying and a blow to fascists
New releases reviewed by IAN SINCLAIR
STEVEN ANDREW is moved beyond words by a historical account of mining in Britain made from the words of the miners themselves
CAILEAN MCBRIDE welcomes a refreshing and timely study of the way officialdom creates structures that exclude LGBT+ rights and humanity
The bard mourns the loss of comrades and troubadours, and looks for consolation with Black Country Jess
CHRIS MOSS relishes the painting and the life story of a self-taught working-class artist from Warrington
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
Utoya – July 22 (15)
Directed by Erik Poppe
THIS is the second film in two weeks dealing with the 2011 Utoya massacre, but, unlike Paul Greengrass's version, this unfolds in real time, seemingly in one take, as it depicts the harrowing gunning down of 69 young people on the Norwegian island entirely from their perspective.
Although the characters are fictional the film is based on detailed accounts from many of the real survivors.
What this reconstruction captures is the horror, the panic, the confusion and the terror those youngsters underwent at the hands of far-right extremist Anders Behring Breivik, when he hunted them down at Labour's youth league summer camp dressed as a police officer.
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