To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
IN A world somewhat similar to post-Roman Britain, but with intriguing differences, the land of Albion is home to the human Sutherners as well as the giant, long-lived Anakim.
Mutual incomprehension means that the two races have often been at war and The Wolf by Leo Carew (Wildfire, £16.99), the first of a new epic fantasy series, begins with a period of unsatisfactory peace coming to an end.
Leaders of both nations have independently concluded that co-existence is unsustainable — there must be a final war, with one final winner. The Anakim's new lord is young, unprepared, and friendless. The Sutherners' general is a commoner without wealth or background. Both men are only ever half a step ahead of death from their own side.
Do frozen colonists carry the virus of empire? Why is monstrosity a great way to describe capital? Was God a dustman?
Looking for moral co-ordinates after a tough year for rational political thinking and shared human morality
Looking for moral co-ordinates after a tough year for rational political thinking and shared human morality
A heatwave, a crimewave, and weird bollocks in Aberdeen, Indiana horror, and the end of the American Dream


