MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
South Africa’s complex relationship with the camera
BOB NEWLAND recommends an outstanding study of how images have shaped narratives of identity, resistance and power in South Africa
Omar Badsha, Funeral of Stembiso Nzuza and Moses Ramatlotlo, killed in an armed clash with police, KwaMashu, KwaZulu-Natal, 1984
[Courtesy Omar Badsha] 
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
RON JACOBS welcomes a timely homage to one of the IWW and CPUSA’s most effective orators
Life Itself: Photography and South Africa
Simon A Clarke, Reaktion, £35
I’M NOT an artist or a photographer, but this book does not simply look at these skills. Rather, it explores the role of the art of photography in the fight against apartheid in South Africa.
As if to help non-experts like me, the book opens with a detailed and beautifully illustrated, easily understood, explanation of the development of the technology of photography in the context of the history of South Africa.
It then poses some challenging questions regarding the use of photography to present a picture of South Africa through colonial eyes.
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JOHN GREEN appreciates the clarity with which a GDR-born photographer observes the ‘post-competitive cannibalism’ of the contemporary US
BOB NEWLAND applauds a demonstration of the existence of a substantial African history that contributed much to world development long before European colonialism
JOHN GREEN appreciates two photobooks that study the single room of a homeless hostel resident, and a council estate in Exeter