GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Sci-fi reviews with Mat Coward: October 2024
From the conundrums of a parallel London to a rewilding project in rural Ireland via a disturbing post-plagues world mystery thrives
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
I’M NOT sure the Guild of Literary Critics include it in their list of approved descriptions, but really, “gorgeous” is the only word that makes sense of Alan Moore’s The Great When (Bloomsbury, £20).
It’s one of those lavish cakes of a book which is so full of plums — hilarious and horrific, touching and obscene, surreal and familiar — that you can’t help gorging yourself on it.
It belongs to the small but much-loved subgenre of “hidden London” fantasies, in which another version of the city overlaps or intersects with the one we know.
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