MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake
Sci-fi reviews with Mat Coward: October 2024
From the conundrums of a parallel London to a rewilding project in rural Ireland via a disturbing post-plagues world mystery thrives
New releases from Christina Alden and Alex Patterson, Odette Michell, Clementine Lovell
JOHN GREEN is fascinated by a very readable account of Britain’s involvement in South America
Strip cartoons used to be the bread and butter of newspapers and they have been around for centuries. MICHAL BONCZA asks our own Paul Tanner about which bees are in his bonnet
GORDON PARSONS acknowledges the authority with which Sarah Kane’s theatrical justification for suicide has resonance today
RON JACOBS welcomes a timely homage to one of the IWW and CPUSA’s most effective orators
I’M NOT sure the Guild of Literary Critics include it in their list of approved descriptions, but really, “gorgeous” is the only word that makes sense of Alan Moore’s The Great When (Bloomsbury, £20).
It’s one of those lavish cakes of a book which is so full of plums — hilarious and horrific, touching and obscene, surreal and familiar — that you can’t help gorging yourself on it.
It belongs to the small but much-loved subgenre of “hidden London” fantasies, in which another version of the city overlaps or intersects with the one we know.
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