DENNIS BROE enjoys the political edge of a series that unmasks British imperialism, resonates with the present and has been buried by Disney
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Places to lie, die and disappear
STEVE JOHNSON speaks to DJ and singer/songwriter Mark Radcliffe
JAMES WALSH takes advantage of an evening of comedy snippets to pick out which clowns will make it in Edinburgh
MAYER WAKEFIELD is swept up by the tale of the south London venue where music forged alliances across race, class and identity
MAYER WAKEFIELD applauds Rosamund Pike’s punchy and tragic portrayal of a multi-tasking mother and high court judge
FIONA O CONNOR recommends an unflinching depiction of child sexual abuse and its aftershocks, set in a working-class Liverpool family
RECOVERING from their mother’s attempted suicide, young sisters Caroline and Joanna spend the summer of 1990 at their great-aunt’s quiet Cotswold cottage in A Place to Lie by Rebecca Griffiths (Sphere, £19.99).
But what might have been an idyllic break from their harsh reality ends in horror, in a village tainted by sad secrets and terrible passions. Nearly 30 years later, a tragic accident takes Joanna back to Witchwood, where she finds answers to questions she might have been better off not asking.
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