MAYER WAKEFIELD applauds Rosamund Pike’s punchy and tragic portrayal of a multi-tasking mother and high court judge
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Phoenix by Sadie Jemmett
Nice enough but musically mundane
FIONA O CONNOR recommends an unflinching depiction of child sexual abuse and its aftershocks, set in a working-class Liverpool family
New releases from Paul Weller, Wet Leg, and Dino Saluzzi
PAUL DONOVAN relishes the spectacle of a 1950s detective in pursuit of a 500-year-old murder mystery
MARIA DUARTE recommends the intricate study of a high-performance and highly dysfuntional German family
GUILLERMO THOMAS is intrigued by a history of the Middle East that demonstrates how promising post colonial beginnings were snuffed out by Western imperialist interests
Sadie Jemmett
Phoenix
(TwoUpTwoDown Records)
IF YOU like MOR US artists like Mary Chapin Carpenter, Beth Nielsen Chapman and Gretchen Peters, then the new album from English singer-songwriter Sadie Jemmett will sound familiar.
A collection of Radio 2-friendly country-folk songs, she moves easily between confessional and introspective ballads and more worldly concerns. Don’t Silence Me takes on the #MeToo movement — “Take your hands off my sister/Didn’t you hear her say NO?” — while The Wilder Shores of Love deals with the refugee crisis.
On Good Friday she sounds a lot like Alanis Morissette, while Leonard’s Waltz finds her talking Brexit, David Bowie and Leonard Cohen.
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