STEVE ANDREW enjoys an account of the many communities that flourished independently of and in resistance to the empires of old
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Paradise Street: The Lost Art of Playing Outside
Evocative images of a time when children were free to play in the streets
Balham, London, circa 1961, Paul Kaye
© The Paul Kaye Collection / Mary Evans Picture Library
TOM STONE urges you to catch the last dates of a New York singer/songwriter, never afraid to challenge her audiences musically or politically
JAN WOOLF examines work that aims to give viewers a material experience of the environments in the polar north and Britain equally affected by the climate crisis
The bard recalls advice received 50 years ago from his TRB muse, and sorts out appropriate legislation for football club ownership
MICHAL BONCZA and MARIA DUARTE review Facing War, Kontinental ’25, Bugonia, and Relay
MAYER WAKEFIELD is frustrated by a production of Ibsen’s classic study of an anti-heroine that fails to elucidate her motivations
PETER MASON tunes his ear into the domestic affairs of a Carribbean couple with a troublesome son
THE images in Paradise Street — the fourth book in Hoxton Mini Press’s Vintage Britain series — span the years from the 1930s through to the late 1970s and are the work of 10 leading photographers.
Balham, London, circa 1961, Paul Kaye © The Paul Kaye Collection / Mary Evans Picture Library
They portray children playing in streets from London to Manchester and Belfast to Middlesbrough and, while they are all clearly working class and their games are invariably played out against the backdrop of tenements and terraced slums, they appear to be almost without exception happy and enjoying life to the full — a seeming contradiction you would think — and with hardly an adult to be seen.
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