MATTHEW HAWKINS applauds a psychotherapist’s disection of William Blake

A Raisin in the Sun
Lyric Hammersmith, London
SINCE it first appeared on Broadway in 1959, Lorraine Hansberry’s Raisin in the Sun has become a constant feature of theatre repertoires around the world – and for good reason.
Given its scintillating dialogue, thought-provoking plot and sophisticated humour, it’s difficult to quibble with the Lyric’s assessment that it’s “one of the greatest plays of the 20th century.”
Yet even a top-notch creation needs to be delivered in the right manner, and here an excellent cast does a fine job of doing it justice.

PETER MASON is wowed (and a little baffled) by the undeniably ballet-like grace of flamenco

PETER MASON is surprised by the bleak outlook foreseen for cricket’s future by the cricketers’ bible

PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
