To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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More questions than answers in surrogacy diatribe
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
PRESSING contemporary themes are addressed by an impressive, well-drilled cast in Chris Thompson’s Of Kith and Kin at the Bush.
Daniel and Oliver — played with emotional truth by James Lance and Joshua Silver — are a married couple expecting a baby. Their surrogate is close friend Priya (the glowing Chetna Pandya) who, it turns out, is using two eggs from an anonymous donor, with one fertilised in vitro by Daniel and one by Oliver.
Only one of the two embryos has been implanted but we don’t know which and it's unclear which of the two men is the biological father.
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MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class
Although this production was in rehearsal before the playwright’s death, it allows us to pay homage to his life, suggests MARY CONWAY
MARY CONWAY is blown away by a flawless production of Lynn Nottage’s exquisite tragedy