GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Two Sisters
Royal Lyceum Theatre, Edinburgh
THERE is a moment in David Grieg’s new play about nostalgia for the lost horizons of adolescence when the three adult characters, having partied themselves to oblivion, are gently laid to sleep like Bunraku puppets by a chorus of attentive teenagers. It is an unexpectedly moving piece of stagecraft that emphasises Grieg’s theme: that the adolescent, and the memory of adolescence, manipulates the adult.
Emma (Jess Hardwick) a smug and pregnant lawyer, has rented a caravan at the holiday park in Fife where the family once spent summers. She wants to write a novel. Her older sister (Shauna MacDonald) has been caught shagging the plumber and is taking time out from her marriage and kids. And the hippy hunk Lance (Erik Olson) who spun the discs decades before is still there as handyman and DJ.
Thus begins a gentle dance of recognition, rivalry and regret.
ANGUS REID is bowled over by a cinematic masterpiece that examines the labour of nursing in forensic, dramatic detail
JAN WOOLF finds out where she came from and where she’s going amid Pete Townshend’s tribute to 1970s youth culture
JAMES WALSH has a great night in the company of basketball players, quantum physicists and the exquisite timing of Rosie Jones
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity



