To rescue Kahlo from the clutches of the corporate art market, we need to acknowledge the overt and covert political dimensions of the work, demands GAVIN O’TOOLE
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Letters from Latin America: September 23, 2019
Fiction and poetry from Giusseppe Caputo, Juan Villoro, Carlos Andres Gomez and Mario Montalbetti
Exceptional debut: Giuseppe Caputo
If you can see past the relentless commodification you will be rewarded by enormously powerful work, suggests JENNY MITCHELL
CHRIS SEARLE revels in the one-off collaboration between an American polymath and a British Muslim, and detects the presence of their revolutionary forebear
GORDON PARSONS revels in an ebullient production of Shakespeare’s magical comedy
BRENT CUTLER welcomes a thoughtful analysis of the Erdogan regime, viewed through the evolving history of a neighbourhood in Istanbul
GORDON PARSONS regrets the price, but is dazzled by an outstandingly ambitious study of the way art restoration in particular, and culture in general was weaponised by the Nazis
THERE are books that stay with you long after you put them down and one of them is An Orphan World (Charco Press, £9.99), the debut novel from Colombian writer Giuseppe Caputo. Rich in images, registers and nuances, it's a book you can almost read as a long, lyrical poem.
In it, a father and his son attempt to survive poverty by moving into a poorer neighbourhood near the sea, possibly somewhere in Latin America.
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