MICK MCSHANE is roused by a band whose socialism laces every line of every song with commitment and raw passion
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I gotta get to hurtin’
PAUL STEPHEN ADEY explores how rap can create catharsis for both artists and fans
(L) Earl Sweatshirt performing with the rest of Odd Future in March 2012; (R) Kemba
New releases from Mountain, Soul Asylum and Michael McDermott
ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
I HEARD a rapper’s verse a while ago that stopped me in my tracks. The artist was Kemba and the song, Daemons, featured on the posthumous album Bad Vibes Forever (2019), by the conflicted and gifted artist XXXTentacion.
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While the group known as the Colourists certainly reinvigorated Scottish painting, a new show is a welcome chance to reassess them, writes ANGUS REID
ANGUS REID recommends an exquisite drama about the disturbing impact of the one child policy in contemporary China
The phrase “cruel to be kind” comes from Hamlet, but Shakespeare’s Prince didn’t go in for kidnap, explosive punches, and cigarette deprivation. Tam is different.
ANGUS REID deconstructs a popular contemporary novel aimed at a ‘queer’ young adult readership
